Selected articles:

“Our Casual Use of Facial Analysis Tools Can Lead to More Sinister Applications”
The Conversation (19 December 2021)

“Gaming Faces: Diagnostic Scanning in Social Media and the Legacy of Racist Face Analysis”
Information, Communication & Society (published online January 2022)

“‘Welcome to Selfiestan’: Identity and the Networked Gaze in Indian Mobile Media”
Media, Culture & Society, v. 42, n. 1 (January 2020): 93-108

“Fit to Frame: Image and Edge in Contemporary Interfaces”
Screen, v. 55, n. 3 (Fall 2014): 360-378

“Mapping Moving-Image Culture: Topographical Interface and YouTube”
Fibreculture, n. 23 (Fall 2014): 27-46

“Rethinking Media Space”
Continuum, v. 28, n. 3 (May 2014): 281-285

“Back to Bollystan: Imagined Space and Diasporic Identity in Contemporary Hindi Cinema”
Quarterly Review of Film & Video, v. 31, n. 5 (May 2014): 435-451

“Performing Color: Mechanized Painting, Multimedia Spectacle and Andy Warhol’s Chelsea Girls”
Grey Room, n. 49 (Fall 2012): 32-55

“Visuell Kultur, Her og Nå” (Visual culture, here and now)
Ekfrase: Nordic Journal of Visual Culture, v. 3, n. 2 (Fall-Winter 2012): 127-128

“Serial Desire: Queer Performance and Displacement in Andy Warhol’s Come Series”
Kritische Berichte, v. 38, n. 4 (December 2010): 49-58

“‘Nothing Is So Dangerous as Hypothesis’: The Mission Héliographique, Photography and the Spectacle of History”
Photography and Culture, v. 3, n. 3 (November 2010): 297-320

“Outside and In-Between: Representation and Spatial Production in Dominique Gonzalez-Foerster’s Urban Imagery”
Visual Resources, v. 26, n. 1 (Spring 2010): 31-50

“Veiling the Mechanical Eye: Antoine Claudet and the Spectacle of Photography in Victorian London”
19: Studies in the Long Nineteenth Century, n. 7 (Fall 2008)