In the Popular Press:

“How Tamagotchi Trained Millenials for the Era of Needy Devices”
The Walrus (18 October 2025)

“Smartphones Manipulate Our Emotions and Trigger Our Reflexes – No Wonder We’re Addicted”
The Conversation (7 October 2025)

“Our iPods, Ourselves: How We Came to Adore Our Devices”
Toronto Star (5 October 2025)

“Our Casual Use of Facial Analysis Tools Can Lead to More Sinister Applications”
The Conversation (19 December 2021)

In Academic Journals:

“Gaming Faces: Diagnostic Scanning in Social Media and the Legacy of Racist Face Analysis”
Information, Communication & Society (published online January 2022)

“‘Welcome to Selfiestan’: Identity and the Networked Gaze in Indian Mobile Media”
Media, Culture & Society, v. 42, n. 1 (January 2020): 93-108

“Fit to Frame: Image and Edge in Contemporary Interfaces”
Screen, v. 55, n. 3 (Fall 2014): 360-378

“Mapping Moving-Image Culture: Topographical Interface and YouTube”
Fibreculture, n. 23 (Fall 2014): 27-46

“Rethinking Media Space”
Continuum, v. 28, n. 3 (May 2014): 281-285

“Back to Bollystan: Imagined Space and Diasporic Identity in Contemporary Hindi Cinema”
Quarterly Review of Film & Video, v. 31, n. 5 (May 2014): 435-451

“Performing Color: Mechanized Painting, Multimedia Spectacle and Andy Warhol’s Chelsea Girls”
Grey Room, n. 49 (Fall 2012): 32-55

“Serial Desire: Queer Performance and Displacement in Andy Warhol’s Come Series”
Kritische Berichte, v. 38, n. 4 (December 2010): 49-58

“‘Nothing Is So Dangerous as Hypothesis’: The Mission Héliographique, Photography and the Spectacle of History”
Photography and Culture, v. 3, n. 3 (November 2010): 297-320

“Outside and In-Between: Representation and Spatial Production in Dominique Gonzalez-Foerster’s Urban Imagery”
Visual Resources, v. 26, n. 1 (Spring 2010): 31-50

“Veiling the Mechanical Eye: Antoine Claudet and the Spectacle of Photography in Victorian London”
19: Studies in the Long Nineteenth Century, n. 7 (Fall 2008)